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 Originally Posted by wufwugy
So then when somebody else (like me) comes along and points out any of the flaws that shouldn't fly according to aesthetic sensibilities, they say "it's all subjective man!"
Wuf, I may have to think for several days about the change of focus from value to "artistic merit," but I can reply to a couple of things in the meantime.
It seems like much of your angst with the subjectivity of art comes down to the fact that people twist this into a false equivalency. I think a near-perfect analogy would be that I often here religious people say, "Well you can't be 100% certain that science is correct either." The problem isn't that they're wrong (just like the problem with someone screaming "ART IS SUBJECTIVE" isn't that they're wrong); the problem is the emthymematic fallacy they're mindlessly spouting off: they're trying to imply that religion is JUST AS legitimate as science simply because there's a 1 in a trillion chance that we live in the matrix and that everything we experience empirically is an illusion meant to mislead us and all of that crap. Well, no, relying on our senses isn't infallible, but it is certainly going to get us closer to the right answer than relying on what some bearded maniac said in a desert several millennia ago.
In the same way, yes, the value of Arrested Development and Jersey Shore is largely dependent on the qualities of the person/society/etc that is watching those shows, but that does not make their values the same thing. Jersey Shore is only more valuable for people who are stupid, lazy, shallow, etc. This is a massive oversimplification and it will fail when you compare any two pieces of art that aren't on complete opposite sides of the spectrum in terms of quality to you and me, but you get my point.
I mean, you've probably gathered forever ago that I'm "on your side" when it comes to me hating much of corporatized popular culture (though not all of it) and in finding merit in intellectual sentimentalities. So we are only likely to end up disagreeing on the nitty gritty of the mechanics of objectivity and the semantics of "artistic merit" and such; I don't think we're going to end up disagreeing on anything mind-blowing like that critics suck and should let me go on listening to the radio without them pointing out that it is possible that music that I've never heard of before might also be good.
Though I do find much more merit in a lot of aspects of popular culture and much less merit in classics than basically every single one of my MFA classmates, so there may be more meat to our disagreement.
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