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My friend Jeremy wrote a fantastic piece on Westworld that I highly recommend. This is how I framed it when I shared it Facebook:
"Jeremy Johnson (of Metapsychosis Journal) tagged me in an essay he wrote about Westworld a couple weeks ago, but I didn't read it because I hadn't watched the show yet. Well, I just finished Westworld, and it blew the top off my head off (to which I cried: "who drew that maze at the bottom of my scalp??!") What a staggering work of brilliance. I'm still speechless at the orchestral scope of the writing, how deftly Lisa Joy and Jonathan Nolan wove together themes of gnosticism, consciousness, artificial intelligence, the self-liberating power of storytelling, and the singularity into such a vast tale, so tightly-written, like a Mahler symphony. This has very few peers on HBO in terms of writing (only Deadwood and Carnivale come to mind), and thematically, it's the only show I know of that's dosing the mainstream with the kind of story and themes you'd normally find in a Philip K Dick novel."
https://omni.media/the-philosophy-of-westworld
Westworld is a show that celebrates the kind of weird prevalent in pop culture during the 1970s: a desire to connect with those hidden recesses of the psyche that each of us have experienced in dream, creative process, and revery. “O, what a world of unseen visions and heard silences,” Jaynes writes in The Origins of Consciousness, “this insubstantial country of the mind!” When Dolores, a “host” in the park, goes on her journey of self-discovery, there’s a part of us that goes with her. It helps that Dolores, along with the other hosts in the park, experience their memories as a kind of waking dreaming, navigating altered states of consciousness and auditory hallucinations in order to succeed in their quest for liberation. We’ve all felt, quite rightly, that there is more to ourselves than our waking, conscious minds, and that if there was some way to communicate with those occluded dimensions of ourselves we could gain some inkling of wisdom (hence, I think, all the self-described “psychonauts” around today). Westworld functions like a scrying mirror for the curious audience to embark on their own journeys of self-knowledge. It is this more intangible aspect of the show—and not just Western gunslinging androids—that made it such a hit.
Elaine Pagels published The Gnostic Gospels in 1979, a book which quickly became a classic in the American spiritual counter-culture. I mention it here because of the intriguing gnostic motifs embodied so well by Dr. Ford himself. For those of who you aren’t familiar with gnosticism, or The Gnostic Gospels, these were written by early Christian sects who, speaking very generally, believed in heretical ideas. There was no single gnostic church. Philip K. Dick was drawn to their darker, paranoid theme of the false world: the idea that our reality was somehow an illusory one—a trap—created by a lesser god. A “demiurge.” The demiurge would rule over its creation and keep human souls ignorant of their spiritual birthright, lest they break through themselves in states of elevated consciousness or “gnosis.” It was, in other words, up to the individual to liberate themselves, not through reason, or faith, but gnosis. Other popular films, like The Matrix Trilogy, would take this motif and run with it quite successfully. But Westworld’s Dr. Ford plays the perfect gnostic demiurge; having created the hosts in the first place, he ensures that they stay ignorant to their own potential for self-consciousness and liberation. Trapped in their loops, and wiped of their memories, the hosts remain blissfully unaware that they are existing inside of an amusement park. (To avoid any major spoilers I’ll simply leave this cryptic remark: we know this is only partly true by the end of season one. The gnostic trap becomes a different, albeit more violent, means toward freedom. Dr. Ford, by the final episode, becomes a triumphant expounder of the gnostic doctrine: the gods won’t help you liberate yourself. Those voices were you. You are the higher being waiting to become self-illuminated. Westworld is not only about consciousness, but liberation through personal gnosis.)
I love GoT but I think this show is on another level.
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